For a long time, I avoided ebooks. Partly because reading on a monitor was just weird to me. Partly because I really like the feel and smell of physical books. Partly because having a dead tree version of manuals was important in outages. Partly because I don’t have to worry about DRM. Partly because I enjoy the look of a shelf full of books.
It wasn’t until my oldest child was born that I started getting into ebooks. The aspect ratio of my phone or tablet made long-form reading a lot easier than the “sideways” monitor setup. The real selling point was that the backlight was a lot easier to manage than a small reading light, particularly when trying to get a resistant child to fall asleep.
Still, my consumption habits are better suited for physical books. One of my favorite ways to get books is to peruse the discard shelf at the local library. I’ll pick up books that seem interesting. If they are, I’ll keep them. If they’re not, I’ll send them off to Goodwill. Digital media doesn’t (yet) have a similar paradigm.
On the one hand, that makes sense. Digital copies are cheap to the point of being basically free. Who needs to discard an ebook when you can just copy it? Of course, authors and publishers argue that such a model completely eliminates the commercial value of their work. I am very sympathetic to that, although there’s certainly room to make copyright law more consumer-friendly.
Slowly, I’ve begun adding to my ebook collection, generally when O’Reilly has their Day Against DRM sale. I’ll still prefer physical books for the most part, if nothing else because it’s easier to get them autographed. A conversion to more ebooks is probably inevitable, particularly once publishers realize that ebooks are cheaper to produce and adjust the prices downward accordingly.